Thursday, April 12, 2018

The Leftovers (HBO, 2014-2017) *****



This is usually a movie blog, but I just finished watching this 3-season HBO show, and I had to write about it. “The Leftovers” is an absolute tour-de-force, better than any movie I saw this past year. I had previously considered “Breaking Bad” to be the best story I ever saw told on television, and it is a great show. But where “Breaking Bad” sprawls over 5 seasons, sometimes losing the narrative arc and repeating story lines, “The Leftovers” is tightly-crafted within its 3 seasons, with nothing wasted.
 
The show is based on the book of the same name by Tom Perotta, and Season 1 starts out much like the book. We enter the small town of Mapleton, New York in a world where, 3 years earlier, a seemingly-random 2% of the world's population vanished in an event called the “Sudden Departure.” This event left mothers suddenly pushing empty strollers, babies without a babysitter, cars without a driver, and prison cells empty. Naturally, Christians try to view the event through the lens of the Biblical Rapture, but with murderers having departed while faithful believers were left behind, no one can make sense of it.

In the wake of this, traditional religions have declined, while cults have sprung up like mushrooms. One of these cults is the Guilty Remnant, a group of nihilists who view the Departure as a sign that nothing matters, not family, not personal happiness, not life. Members give up speaking and take up smoking, and they silently follow regular people around to remind them of the Departure.

Police Chief Kevin Garvey (Justin Theroux) is one of the lucky ones who didn't lose any family in the Departure. Unfortunately, the aftermath of the event drove his wife, Laurie (Amy Brenneman) to join the Guilty Remnant. This leaves Kevin alone to raise their daughter Jill, worry about their son Tom (who is secretly off in another cult), and deal with his own mental demons. He meets Nora (Carrie Coon), a tough, but bruised woman who lost her husband and both kids in the Departure. The two fall in love, while Kevin tries to keep Mapleton from tearing itself apart, as the Guilty Remnant works to recruit new members and enrage the rest of the town.

Season 2 finds Kevin and Nora and their crew moving to Jarden, Tx, a small town renamed Miracle because no one from there Departed. The town's seemingly protected status has made it a magnet for seekers from all over, and it is fenced off and managed as a national park. Nora buys an outrageously overpriced house in Jarden, and they settle in to make a life in what they think is a safe place. Jarden, of course, turns out not to be as placid as it seems.

The third, and final, season details the days leading up to the seventh anniversary of the Sudden Departure. Seven is a number of recurring biblical import, so people are attaching a lot of significance to this anniversary. Many, including Kevin's insane father (Scott Glenn), believe it will be the end of the world, so crazy behavior is even more prevalent than usual. Kevin and Nora outwardly have their acts together, but we find that there is a lot of turmoil under the surface. Meanwhile, Nora's brother, Matt (Christopher Eccleston) is writing a holy book based on Kevin's life. It gets weirder from there. Ultimately, many, but not all, things are explained, and the show wraps up in a somewhat mystifying, but beautiful, finale.

Producer Damon Lindelof (“Lost”) and author Tom Perotta co-wrote the series, and they have succeeded in turning Perotta's excellent book into something much greater. The book covers roughly the same events as Season 1 of the show. From there, they are in completely original territory.

The show is a deep exploration of loss. We all fear losing people we love, and the Sudden Departure caused a significant proportion of humanity to experience that loss all at once. This leads to a secondary loss, for many, of their religious faith, which suddenly seems to make no sense. One of the lessons of the show, however, is that loss is universal. The Departure leaves people feeling like they have experienced a world-ending cataclysm, but to put things in perspective, only 2% of the population was taken in the Departure. The Black Plague killed 30-60% of Europe's population in just a few years. Of course, the Black Plague also caused massive religious, cultural, and political upheaval. The story of humanity is a series of such convulsions. “The Leftovers” is simply an individual look at what it might be like to be part of one of those events.

The show is also about Family, and the many ways of defining and re-forming a family after things go wrong. Even the Guilty Remnant is a type of family, giving its members something they couldn't get from their previous relationships.

This story has incredible empathy for the characters that inhabit it. Justin Theroux and Carrie Coon are the stars, but there are no small roles in “The Leftovers.” Every character owns their own story, their own arc. Matt, for example, is first introduced handing out flyers detailing the sins of individuals who departed. He is trying to convince people that the Departure could not have been the biblical Rapture, and he comes off as a pious jerk. As the story progresses, however, he turns out to be a guy who consistently puts aside his own interests to help others, and whom you can call to help bury a body.

The worst tv shows string the audience along, with their only goal being to get you to keep watching for as long as the network can squeeze money out of the show. At its best, tv tells a narrative, which ends when it should, not when the audience quits watching. “The Leftovers” is TV at its best, with a narrative arc that makes sense, and a gigantic heart.

5 stars out of 5

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