I've come to have high expectations for animated films. Spoiled as I am by a decade of Pixar films like “Wall-E” and “Monsters, Inc.,”I have little tolerance for weak plots and acting. “The Lego Movie” and all of its hype crashed into those expectations, and the results were rather disappointing.
“The Lego Movie” tells the story of Emmett (voiced by Chris Pratt), a generic, Lego construction worker who spends his days with the other workers, building things exactly according to the Lego instructions. Everyone in Legoland follows the instructions, in obedience to Lord Business (Will Ferrell), an OCD, control-freak micro-manager. Emmett is the most boring Lego person in town, with absolutely nothing to distinguish him, but he gets thrust into an adventure when he accidentally finds a legendary hunk of plastic called the Piece of Resistance. Rebel Lego-people bring Emmett into their movement, believing him to be the prophesied Master Builder, who will use the Piece to defeat Lord Business and save Legoland.
Given that all the characters and backgrounds are made up of Legos, you might think this would be a true stop-action animated film. Nope, this is another CGI-fest, which freed the animators up to make “The Lego Movie” one long, frenetic action sequence. Oh, every now and then they slow down for a brief lesson about “believing in yourself,” but mostly everything just MOVES, exhaustingly.
It isn't until the end, when Emmett meets the Man Upstairs, that things get really meta and interesting. At this point, all your assumptions about the story get turned on their heads, and the movie becomes quite open to interpretation. This segment explores the value of play and creativity versus structure and control. It would be possible to find some commentary here on regimented societies like China versus individualistic, more chaotic societies like the U.S. Going deeper, one could view the relationship between the Man Upstairs, his son, and the Lego world as an allegory of Christian theology. Truth is, there's all kinds of potential religious symbolism in this film. Emmett, himself, could be viewed as a Christlike figure, a promised savior who turns out to be different from what the people were expecting. The film also asks whether prophesy is real or just made up to serve as a self-fulfilling guide to future generations. Some might find the movie to be Existentialist. I can't divine, though, whether the filmmakers intended all this subtext or not, because they can't seem to wait to get back to the mind-numbing action. That's the problem with “The Lego Movie,” they don't slow down to offer any thought or meaning until it's too late,your mind is already mush from all the seizure-inducing kinetics.
When I first heard they were making a Lego movie, I thought it was the dumbest idea ever. Then I started hearing positive reviews and buzz, and my expectations rose to Pixar levels. Now, having seen it, I feel pretty “meh” about it. The ending does somewhat redeem the movie and provides some interesting fuel for discussion. Truth be told, though, I was bored while watching it, and for a movie like this, being boring is the one unforgivable crime. Even worse than not following the instructions.
2.5 stars out of 5