With 2017's "Get Out," Jordan
Peele put the world on notice that he was a storyteller to be
reckoned with. With his second feature, “Us,” he threatens to
extend that into a streak.
The Wilsons are a typical, American
family. Adelaide (Lupita Nyong'o), Gabe (Winston Duke), Zora
(Shahadi Wright Joseph), and Jason (Evan Alex) are visiting a family
vacation home. Everything is beautiful, but there is an undercurrent
of dread. This is partly because the movie started with a scene
about 25 years earlier of a young Adelaide having a terrifying
experience of running into her exact double. This traumatic
experience left the little girl temporarily mute, but she has clearly
overcome the experience, as the grown-up Adelaide seems totally
normal. Returning to the beach where she had that creepy run-in so
long ago has her on edge, however. She asks to cut the vacation
short, but before they can leave, Jason announces that “there's a
family in the driveway.” There sure is, a family that looks
identical to the Wilsons, and they aren't there to welcome them to
the neighborhood.
Before this night of terrifying home
invasions is over, we learn that everyone is America has a
doppelganger. These speechless doubles have been living in
underground tunnels, spending their lives crudely aping the actions
of their twins on the surface. Now they have climbed out of their
holes to claim their place in the sun.
The plot doesn't make much sense if
you think about it at all, so it's best to just go with it. If you
just accept what you see on the screen, it's a fun, scary film, with
just the right amount of humor sprinkled in. The movie is paced
right, and the performances are excellent. Shahadi Wright Joseph
particularly stands out as a young actress to watch.
Most critics feel that “Us” isn't
quite as good as “Get Out.” I would agree, but “Us” is still
an excellent movie. Both films can be enjoyed as straight horror,
but don't hold up well to literal analysis. They are best
appreciated as allegory. “Get Out” was Jordan Peele's parody of
black people's fear about white people, that even the most liberal of
us are secret racists who want to enslave black people again. It's
an exaggeration, but I imagine it draws from some real suspicions
that some black people have. “Us” flips the script. It's
cleverly done, because the main characters are black, but “Us” is
clearly exploring the anxiety of white Americans. The allegory is
that America is built on top of an exploited underclass, a class of
people who may someday rise up and try to take what white people
have. Once again, it's an exaggeration of existing fears. There's
also the theme of class, the idea that living right near us are
people very much like us, living in poverty. At one point, Adelaide
asks her twin, “What are you?”, to which the twin replies, “We're
Americans.” It's a somewhat heavy-handed way to say that even in
this wealthy country, there are people living in squalor. Who are
these people who have nothing? Jordan Peele says they are Us.
3.5 stars out of 5
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