Mads Mikkelsen starred in two films
that hit theaters in 2019, "Polar" and “Arctic.” You could
be forgiven for being confused, but rest assured, these films could
not be more different. “Polar” is a violent comic book come to
life, full of blood and boobs. “Arctic” is a quiet, serious
survival story, and definitely the better movie of the two.
Mikkelsen plays Overgard, a man
stranded in the Arctic wilderness after a plane crash. We never
learn exactly who he is or why he's up there, and I guess it doesn't
matter. Overgard is a stand-in for anyone caught in a life-or-death
situation. When we meet him, he is using the crashed plane as a
shelter, and has a daily routine of ice-fishing and signaling for
help. Circumstances eventually force him to abandon his camp and set
out across the ice on an epic bid for safety.
There isn't really a lot of plot, and
I don't want to give any more of it away. The story is rather
simple, and might be too thin to support a feature film if not for a
bravura, mostly-silent performance by Mikkelsen. Similar to Robert
Redford in the excellent “All is Lost,” Mikkelsen has to carry
the entire film, largely without speech. That he does it so well is
even more remarkable given that Mikkelsen initially struck me as an
actor with only one facial expression. By the end of “Arctic,” I
could recognize all kinds of emotions on that wind-scarred face.
Writer/director Joe Penna originally
wanted the story to take place on Mars, but he got scooped by "The Martian," starring Matt Damon, so adjustments were made. I think
it's better this way. On Mars, there wouldn't have been a polar
bear.
If you only watch one icy-themed Mads
Mikkelsen movie this year, it should be “Arctic.” It's a
beautifully-filmed story of stoicism and determination, and anyone
who has ever spent time in the snowy wilderness will feel this story
on a visceral level. As for the career wisdom of doing this film and
“Polar” in the same year, I think Mikkelsen's manager has some
explaining to do.
4 stars out of 5
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