I recently re-watched this classic,
and I have to say that I would consider it one of the essential
gangster movies.
Wesley Snipes plays Nino Brown, a
street-level, Harlem drug dealer whose friend and partner, Gee Money
(Allen Payne) introduces their business to the possibilities of a new
form of cocaine, crack. The drug sells like, well, like crack, and
soon their gang, the Cash Money Brothers, are taking over a housing
project, manufacturing their own rock, and making millions. It's a
classic rise-and-fall gangster story, in the tradition of Greek
tragedy, a tale of hubris and greed.
It's amazing how much star power this
low-budget ($8 million) production brings together, and how many
careers it launched. Mario Van Peebles acts and directs (his debut
as a film director). Judd Nelson plays a cop with attitude, actually
pretty much the same character as his famous thug in “The Breakfast
Club.” Snipes is magnetic as Nino, borrowing a bit from Pacino's
Scarface and De Niro's Capone, but grounding his character in the
streets of Harlem.
Ice-T is now known for his acting,
after years of movies and TV cop shows, but in 1991 he was a gangsta
rapper. His infamous song “Cop Killer” hadn't come out yet, but
he definitely wasn't anyone's idea of a boy in blue. Casting him as
an undercover detective was a stroke of genius and a risk. Legend
has it that he got the role when Mario Van Peebles overheard him
talking shit in a nightclub bathroom, and realized that was the
perfect voice and attitude for his movie. He absolutely owns the
role, and it's easy to see why his acting career took off after “New
Jack City.”
It's Chris Rock, however, who makes
the biggest breakthrough in this film. His portrayal of crack
addict, Pookie, is chilling and heartbreaking. I imagine his
performance kept more kids off crack than a dozen “Just Say No”
speeches.
For that matter, this film may have
done more than the news media to bring the reality of the crack
epidemic home to middle America. I can't vouch for the veracity, but
the film hits you in the face with the scope of the problem, while
humanizing it.
As a gangster movie, New Jack City is
not nearly as tightly-crafted as, say “Miller's Crossing” or
“Goodfellas.” The plot frequently dips into the improbable, until
finally flirting with self-parody. Significant suspension of
disbelief will be required, but it's worth it for this essential film
of great performances, great style, and a bangin' hip-hop soundtrack.
4 stars out of 5
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