If you're a fan of live theater, you
may be aware that the British National Theatre allows live
broadcasts of some of their productions to be screened in movie theaters. Now with
both movie theaters and live theaters closed for the coronavirus
pandemic, they are making recorded productions available for streaming
at home. They are kicking off National Theatre At Home with an
absolute gem, “One Man, Two Guvnors,” starring James Corden.
Corden plays Francis Henshall, an
out-of-work musician who takes work as assistant to small-time crook
Roscoe Crabbe. Seeing a chance to earn an extra meal ticket, Francis
signs on for a second job as assistant to another man. All he has to
do is serve both masters without letting either find out about the
other. Complicating matters is that his first boss is actually
Roscoe's twin sister, Rachel, in disguise. Roscoe is dead, and Rachel
is in town to collect a dowry from the father of Roscoe's fiance,
then skip town with Rachel's boyfriend, Stanley, who killed Roscoe
and who happens to be Francis's other boss, although no one involved
is aware of that. Roscoe's fiance, meanwhile, is in love with an
actor. Francis has to navigate all this while pursuing his own love
interest, as well as a meal. Ya got all that?
The story will seem very familiar to
fans of Shakespeare's comedies. It's full of madcap
misunderstandings, bawdy humor, and, of course, everyone has to get
married in the end. If it all seems very old-fashioned, it's because
it's based on an 18th-century play by Italian playwright Carlo
Goldoni.
James Corden is an absolute delight.
I'm a big fan of his from the show “Gavin & Stacey,” and he
is in perfect form here. Corden benefits from two inarguable facts:
1) Every line is funnier when it's in a foreign accent, and 2) Every
action is funnier when performed by a fat man. Corden doesn't just
rest on his bulky, British laurels, however. He's a genuinely funny,
charismatic actor.
Now, I somehow came into this with the
idea that it was a one-man show. Imagine my confusion when the play
started out with a stage full of actors I didn't recognize. (Corden
doesn't appear until about ten minutes in.) Fortunately, the
supporting cast is excellent, especially Oliver Chris as Stanley and
Suzie Toase as Dolly, who re-defines good posture.
This is one that's worth seeking out.
It won a load of Tonys and it's an utter joy. It is, however, very
British. Between the accents, the slang, and the rapid fire
delivery, it can be hard to follow. (Also reminiscent of
Shakespeare.) If you just relax and go with it, though, everything
becomes clear. This is only playing free on Youtube for a few days.
After that, I don't know if it becomes unavailable, or subscription
only. Don't take any chances. Do yourself a favor and search for it
now!
5 stars out of 5
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