It's amazing how much fun you can have
with the superhero genre when you aren't constrained by a PG-13
rating. That rating, which is critical to getting large numbers of
teens into the theater, means you can show a little skin, but not too
much; a little cursing, but nothing too foul. Of course, there can
be lots and lots of violence, but preferably the kind without
consequences. We don't want those 14-year-olds to think that people
die horribly when you shoot them. When a filmmaker resigns himself
to an R rating, it opens up more than just the level of gore and tits
that can be shown. It means the film will be marketed to an older
audience, so the themes and dialogue and such may be, just maybe, a
bit more intelligent.
“Deadpool” isn't exactly more
intelligent than the X-men movies with which it shares a comic-book
universe, it's just a lot funnier. Ryan Reynolds plays Wade, a
former Special Forces soldier who now ekes out a living as a
thug-for-hire and smart-aleck. He hooks up with a tough-as-nails
street girl named Vanessa (Morena Baccarin, who played the companion
on Firefly), and the montage of their sexual exploits through the
year, accompanied by the song “Calendar Girl”, is comedy gold.
Then Wade gets terminal cancer, and in
his desperation for a cure he signs up for a shady,experimental
program that promises to cure him and give him superpowers. The
program turns out to be run by a sadist named Francis (Ed Skrein),
himself a product of the program. The experiments do cure Wade, but
they horribly scar his skin, leaving him as a super-strong,
indestructible burn victim. Haunted by the horrified stares of
strangers who see his face, Wade adopts a mask and the Deadpool
moniker, and goes hunting for Francis, seeking revenge and a cure for
his mutilation.
Even as “Deadpool” gleefully pokes
fun at the superhero movie genre, it is, itself, trying to establish
yet another superhero franchise, and the movie even pokes fun at
itself for that. For all the parody, “Deadpool” still has all
the elements of the genre: the origin story, the fast-paced frenetic
action, the endless martial-arts fighting, the violence that only has
consequences when the plot demands them. What “Deadpool” lacks is
any sort of greater theme. The movie is fun and funny, but it isn't
really about anything. I really wanted to absolutely love it, but I
found myself forgetting it almost as fast as I watched it. Wade
rejects the usual conventions of society, as well as the superhero
code that the X-men try to impose on him. He basically rejects
everything except his girl. Maybe in future “Deadpool”movies we
will find out what he accepts.
3 stars out of 5
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