“The Warriors” is the story of
nine members of the Warriors, a gang from Coney Island, who travel to
a huge gang parlay in Harlem. There, a charismatic gang leader named
Cyrus preaches that all the gangs should unite and rule the streets.
He is an attractive character, and his words find some appreciative
ears, but he is assassinated, gunned down while making his appeal.
No one apparently sees who fired the fatal shot, and Luther (David
Patrick Kelly), the guilty party, randomly chooses the Warriors to
pin it on. In the chaos that ensues, everyone pretty much accepts
the Warriors' guilt, and they beat down and likely kill the Warriors'
leader, Cleon. The other eight Warriors escape and spend the rest of
the night running from one rival gang's territory to the next, racing
to get back to Coney Island before the other gangs hunt them down.
The novel from which the movie is
adapted is based loosely on the ancient Greek story “Anabasis,”
the tale of 10,000 Greek mercenaries who had to fight their way back
home from Persia. Like those Greek soldiers, the Warriors have to
fight their way back to the sea.
During a lull in the violence, the
Warriors discuss the merits of the fallen Cyrus's plan, and the
difficulty in turning it into reality. “It's all out there for the
taking. You just gotta figure out what's worth stealing.” When a
group of well-off, young people boards the train, the Warriors see
that what those kids have is what is worth stealing, that carefree
life, but it's something beyond their grasp.
When one of the rich kids drops a
corsage, Swan picks it up and gives it to Mercy, saying, “I just
hate to see something go to waste.” You get the feeling he is
talking about her, not the flowers, but the story itself is a lament
to the waste of all these capable youths, who are going to waste as well.
The thing about this 1970s cult
classic, like all cult classics really, is that you can't take it too
seriously. The movie is sometimes so cheesy it's painful, but you
have to view the film more like a comic book. The action is
cartoonish, the characters are barely developed, they make stupid
decisions, and the movie glorifies street gangs in a way that led to
violent confrontations during it's 1979 theatrical run. Still, with
its depiction of bare-armed tough-guys roaming the gritty streets of
1970's New York City, the film has a certain gumption that justifies
its cult status.
3 stars out of 5
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