Well, the great miracle has arrived.
The film that was prophesied is here, the one that will bring balance
between the Old trilogy and the New. The new Star Wars movie is a
spectacle for both young and old, beyond all criticism or judgment.
I'm a bit late to the party. I waited
a bit for the crowds to die down (slightly), and three weeks into
it's run, I'm just seeing it, while many of my friends are seeing it
for the second or third time. The film seems to be universally
beloved, but I have to admit to being underwhelmed.
The latest installment in the series
takes place about 3 decades after the events of “Return of the
Jedi.” Despite that great victory, in which the Evil Emperor
Palpatine was killed and the second Death Star destroyed, the
remnants of the Empire persist. The storm troopers now fight for
something called the First Order, ruled by a shadowy, Dark-side
Supreme Leader and his disciple Kylo Ren. Princess Lea is now a
general in the Resistance, split up from Han Solo, who has gone back
to his smuggler's ways. Luke Skywalker has disappeared entirely, and
the Resistance is desperate to find him and enlist his help against
the rising First Order.
The Resistance get some help from a
disillusioned storm trooper named Finn and a scrappy desert-girl
named Rey. These two find themselves in possession of a droid that
contains a map to Luke Skywalker's location. They must not only get
the droid to the Resistance, but help find a way to destroy the First
Order's new weapon, a planet-sized base that can destroy entire star
systems.
The whole thing is so derivative of
the original films that it is hard to believe I am not describing the
plot of Mel Brooks's “Spaceballs.” I mean, we have a
desert-dwelling orphan, looking out over the sands with nameless
longing. We have a droid that has to be delivered to the Resistance.
Sound familiar? The movie actually acknowledges its retreaded
nature in the scene in which the Resistance commander explains that
the Starkiller Base is different from the old Death Star in that it
is much LARGER. One of the pilots points out, “This thing must
have a weakness,” and sure enough, the thing has a weak spot that
x-wing fighters can go shoot at. When “The Force Awakens” isn't
recycling old plot elements, it is manufacturing ludicrous
coincidences to advance to the plot, such as the scene in which Han
Solo rediscovers the Millennium Falcon.
None of this is to suggest that there
aren't things to love in “The Force Awakens.” I love me some
Star Wars, and this one is infinitely better than Episodes I and II
(although you have to give those films credit for at least being
complex. The Force Awakens, in contrast, is written on a third-grade
reading level.) It's a real delight to see Lea and Han again, and
Harrison Ford tries to bring some of the old swagger. John Boyega as
Finn and Daisy Ridley as Rey are both charming, and Adam Driver is
appropriately dark as Kylo Ren. I expect good things of these
actors. Finally, the movie is action-packed enough to make most
people ignore its flaws.
Maybe I had unrealistic expectations
for this film. After years of hype, great reviews, and all those
shattered box office records, I though this would be more than just
an action film. I was expecting another “The Empire Strikes Back,”
but what I got was “Transformers.”
3 stars out of 5
No comments:
Post a Comment