This final installation of Peter
Jackson's Hobbit trilogy represents one of the worst anticlimaxes I
have seen in years. Make no mistake, the first two films in the
series, “An Unexpected Journey” and “The Desolation of Smaug”
had their share of faults. In attempting to stretch the single novel
The Hobbit into a trilogy of films, Jackson had to put in a
fair share of fluff. Action sequences get stretched out
interminably, with a numbing array of special effects that morph from
spectacular to boring as they drag on. It's the same with the battle
scenes, in which orcs and goblins get killed by the thousands, yet
the main characters never seem to get touched. In truth, the
original “Lord of the Rings” series had this problem, too, but
with them, the ratio of epic cool to cheesy was pretty high. That
ratio is considerably lower in the first two “Hobbit” films, but
those movies were still cool enough to keep me interested. In “The
Battle of the Five Armies,” the cheese finally overtakes the cool.
The first two films established the
tale of Bilbo Baggins (Martin Freeman), a hobbit who joins a company
of dwarves who are trying to reclaim their ancestral, mountain
fortress and treasure from a dragon named Smaug. Led by the dwarf
king, Thorin Oakenshield, the group treks across Middle Earth,
getting into various scrapes involving spiders, elves, orcs, trolls,
and goblins. During one of these adventures, Bilbo gets his magical
ring, which will go on to feature in the “Lord of the Rings”
series. Despite his small size, Bilbo proves his worth, helping the
dwarves get to their mountain. He sneaks in and confronts Smaug,
enraging the dragon so much that the beast stirs from his pile of
treasure for the first time in years.
This is where “The Battle of the
Five Armies” picks up, with Smaug destroying the nearby Lake Town
while Thorin and his dwarves slip into the mountain to regard their
ancestral treasure. It's pretty ridiculous. The gold and precious
stones are piled so high you could drown in them. According to the
law of supply and demand, anything in such profusion can hardly be
termed treasure. Nonetheless,Thorin gets infected with gold madness,
jealous of every coin and stone as he feverishly searches the piles
of loot for the main prize, the Arkenstone, the ancestral gemstone
held by dwarfen kings. As he searches for his stone, he ignores the
cold, hungry survivors from Lake Town massed outside his walls, and
he forgets that he had promised them a share of the treasure. Then
an elf army shows up, looking for a piece of the action, and Thorin
has to send a call for dwarf backup. When a couple of orc armies
join the fray, you have your five armies.
Epic battle, right? Meh. Including
the “Lord of the Rings” films, this is Peter Jackson's sixth
movie about Middle Earth, and he has mastered the art of CGI hordes
clashing bloodlessly. From endless repetition, his spectacles have
lost the power to hold my attention. As humans used swords to kill
armored orcs twice their size by the hundreds, I grew bored. In the
first two “Hobbit” films, there was just enough plot and
character development to hold my attention. These things are lacking
in “The Battle of the Five Armies,” leaving us with meaningless,
endless action sequences.
Jackson himself admits on the DVD
(detailed in this article) that his “Hobbit” trilogy is basically a mess. It's a shame,
because The Hobbit is a
charming little piece of storytelling. If Jackson had simply turned
the single book into a single film, and if he had maintained the
lighter tone of the book rather than adopting the darker, apocalyptic
tones of the “Lord of the Rings” series, we would be a happier
audience.
2
stars out of 5
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