If you thought Oregon was just hippies
and homebrewers, think again. The Pacific Northwest has a thriving
White Supremacist scene. “Green Room” is a smart, backwoods
horror flick about a punk band that runs afoul of some of these
Neo-Nazis.
Living desperately from gig to gig,
siphoning gas to keep their van going, and sleeping wherever they
can, the punk band, the Ain't Rights, can't really afford to say no
to a paying gig. They are leery of an offer to play a rural,White
Supremacist venue, but they are assured they will be out before dark,
and skinheads are really nothing new to a punk band, anyway. When a
member of the band witnesses a murder, however, things get
complicated. The Ain't Rights find themselves hostage, locked in a
dressing room. While the skinheads, led by a chilling Patrick
Stewart, figure out what to do with them, the band try to figure out
an escape, assisted by the dead girl's friend (Imogen Poots).
“Green Room” earns a hard-R rating
for the kind of violence that will give you nightmares. It isn't just
the gore that will get your heart rate up, the constant menace is
terrifying. Don't expect everyone to make it out alive or
un-mangled. For those willing to deal with some serious horror,
however, you are in for a treat. This is a smart, thrilling horror
flick, beautifully filmed, with excellent performances. Patrick
Stewart is terrifyingly convincing as the head neo-Nazi, and not just
because of his shaved head. Anton Yelchin, who played Chekov on the
new Star Trek movies and died this past year, is outstanding.
By definition, characters in horror
movies make bad decisions. The difference between good and bad
horror is whether those bad decisions are character-driven or
plot-driven. Character-driven decisions are made by characters who
have been developed so that their mistakes make sense for that
character and that situation. Plot-driven decisions, the product of
lazy storytelling, are frustratingly nonsensical, and only occur
because the progression of the plot demands them. In “Green Room,”
the characters do some stupid things, but they are the kind of stupid
things young,inexperienced people might do. Their bad decisions are
character-driven, and that's what elevates this film above its genre.
4 stars out of 5